OEK Lunchtime Special Concert
Fri, Sep 6, 2013, 12:15PM at Ishikawa Ongakudo
Artist:
■Michiyoshi Inoue, Conductor
Program:
■Mendelssohn: Symphony No.4 in A major, Op.90 "Italian" 1st mov.
■Mendelssohn: Symphony No.3 in A minor, Op.56 "Scottish" 3rd mov.
■Barber: Adagio for Strings, Op.11
■A.Nishimura: Bird Heterophony
Ticket: ¥1,000
Call Ticket Box at 076-232-8632
The OEK 25th Anniversary Special Concert
Sat, Sep 7, 2013, 3:00PM at Ishikawa Ongakudo
Artist:
■Michiyoshi Inoue, Conductor
■Akiko Suwanai, Violin
Program:
■Händel: Overture to Music for the Royal Fireworks
■Shostakovich: Violin Concerto No.2 in C-sharp minor, Op.129
■Mozart: Symphony No.25 in G minor, K.183
■Nishimura: Bird Heterophony
Ticket:
S¥6,000 A¥5,000 B¥3,000
Call Ticket Box at 076-232-8632
◆Press Conference Report
Wednesday 25th September, 2013, 17:30-18:30
At the Nakanoshima Festival Tower, Osaka (“Festival Sweet” room on 37th floor)
（Speakers）
Michiyoshi Inoue / Conductor & New Principal Conductor, Osaka Philharmonic Orchestra
Kusuo Sasaki / Executive Director – Chief Executive Officer, Osaka Philharmonic
Association
Osamu Fukuyama / Deputy Chief Executive Officer, Osaka Philharmonic Association
Hiroshi Nishibe / General Manager, Festival Hall (Osaka)
Masahide Kajimoto / President, KAJIMOTO (Michiyoshi Inoue’s management office)
（Press Conference topics: excerpts）
●Osaka Philharmonic Orchestra’s new era with Mr. Inoue
The Osaka Philharmonic Orchestra announced Mr. Inoue as their new Principal Conductor.
The contract will start from April 2014 for three years (annually renewed).
Mr. Inoue will be the very first “Principal Conductor” in the long history of the Osaka
Philharmonic, it’s partially because he will continue to serve as the “Music Director” of the
Orchestra Ensemble of Kanazawa and thus, the two functions should be defined.
Mr. Inoue will assume the general responsibility for the Osaka Philharmonic‘s Musical
Division as a matter of practice.
●New politics for cultural promotion at Festival Hall, Osaka Philharmonic‘s new home-hall
Formerly, since 1963, the Osaka Philharmonic organized their subscription concerts in the
Festival Hall before moving their home-hall to the Symphony Hall (Osaka) in 2013.
Starting in 2014, the orchestra will once again use the Festival Hall as their main hall.
（Comments by Mr. Inoue：excerpts）
●When I heard about this offer for the first time, I hesitated. But I finally decided to accept it
because I think that Osaka city has high potential. In 1958 when the Festival Hall opened,
that had a great influence on the world. Then in 1982, Osaka city got the Symphony Hall,
designed specifically and exclusively for classical music. I thought this culturally leading city
had to have more to its image than its Takoyaki (octopus dumplings, which are Osaka’s
specialty).
●As for the classical music world in Japan, it is expanding to wider and more diverse
people, which is the phenomenon Japan boasts to the world. We the professional
musicians, who are the pioneers in the field, have to be more ahead of the times. Then we
have to make the musician an occupation that many young people hope to be.
●I feel Osaka city’s charm is their “friendliness” in a variety of meanings. Thirty-five years
ago when I conducted the Osaka Philharmonic for the first time, the orchestra
was“speaking”the Kansai-region dialect when they played, and they had very interesting
originalities that I appreciated. Of course, I still like very much the Osaka Philharmonic’s
musicality and that’s the reason why I accepted to be the Principal Conductor. I think we
must make an enormous effort to successfully move the subscription concerts to the
Festival Hall. I would like to create a comfortable environment so that the hall could nurture
the orchestra.
(Osaka Philharmonic’s 2014 season lineup)
As of 2014 Nov:
Subscription concerts http://www.osaka-phil.com/concert/
Schedule http://www.osaka-phil.com/schedule/
